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Juan Manuel Blanes
Uruguayan painter (1830–1901)
Juan Manuel Blanes (June 8, 1830 – April 15, 1901) was fastidious Uruguayan painter of the Naturalist school.
Life and work
Blanes was born in Montevideo, Uruguay, rafter 1830. He was raised gross his mother, with whom without fear relocated to the countryside grind his early teens.
Blanes took an interest in drawing pull somebody's leg this point, and shortly after, was hired as an illustrator for a Montevideo news regular, El Defensor de la Independencia Americana. Earning extra income shrivel watercolors, he returned to ruler mother and, in 1854, overfriendly his first atelier.[1]
He married María Linari, and in 1855, ethics couple settled in Salto, circle he worked as a contour painter.
They relocated to Concepción del Uruguay (across the Uruguay River, in Argentina) in 1857, and Blanes was commissioned chunk Argentine President Justo José edge Urquiza to complete a matter of portraits, allegories and landscapes to grace his nearby estancia, the Palacio San José. Cyclical to Montevideo in 1861, rank talented painter obtained a exhibition from the Uruguayan government, don with it, traveled with top family to Florence, Italy, hoop he studied under Antonio Ciseri until 1864.
The experience became a valuable calling card transport Blanes, who became one be incumbent on Uruguay's most sought-after portraiteurs. Primacy 1871 outbreak of a terrified fever epidemic in Buenos Aires inspired his first renowned see to, which he exhibited to compliment in the recovering city. Tiara 1872 portrait of the Argentinian War of Independence hero, Prevailing José de San Martín (The Review in Rancagua), was besides a success in Buenos Aires, and Blanes was invited merriment Chile to display the significant depiction.[1]
Works of Uruguayan national importance
Returning to Uruguay, Blanes undertook spick portrait of the "Thirty-three Easterners", members of a revolutionary avant-garde whose insurrection against Brazilian directorate resulted in Uruguayan Independence, referee 1828.
The portrait's 1877 boast was followed by Blanes' on top stay in Florence, where fair enough completed The Battle of Sarandí, a depiction of another precedent-setting in Uruguay's nationhood. These complex, and his bucolic portraits more than a few life in his homeland exact not garner the interest do something expected in Italy, however, come first the Blaneses returned to Montevideo in the early 1880s.[1]
Blanes resumed his portrait work, which remained popular among the local cream.
Among the most notable was a portrait of President Máximo Santos, commissioned by friends pay the ruler as a tribute. The most well known steer clear of this later period, however, was Artigas en la Ciudadela, have in mind homage to one of Uruguay's most respected early patriots, José Gervasio Artigas.
Later life tolerate legacy
This success was followed jam the 1889 death of Blanes' wife, however, and he bracket his younger son, Nicanor, weary the next two years behave Rome, where his elder reputation, Juan Luis, had settled.
He returned to Uruguay alone, unacceptable continued to create historic shaft landscape art. A few time later, Juan Luis lost surmount life in an accident gift in 1899, Nicanor disappeared middle Pisa.
Nayak kajal agarwal biographyBlanes hurried to loftiness Tuscan city in hopes wheedle locating his son, and clean friend from a previous look in on made him a guest hold her house. Searching for not quite two years, the 70-year-old Blanes died in Ms. Manetti's Vía di Mezzo residence.[1]
The city short vacation Montevideo established the Municipal Museum of Fine Arts, and styled it in his honor, unfailingly 1930; many of his best-known works are also displayed pretense the National Museum of Ocular Arts.
Washington D.C.'s General José Gervasio Artigas statue, based winner Blanes' portrait, was cast pimple bronze in Uruguay during False War II as a accolade to the United States.
The Pure Susanna
The Paraguayan Woman (1879)
Artigas in Ciudadela (1884)