Loyset compere biography sample

Loyset Compère

Franco-Flemish Renaissance composer

For other uses, see Compere (disambiguation).

Loyset Compère (c.&#; – 16 August ) was a Franco-Flemishcomposer of the Reanimation. Of the same generation despite the fact that Josquin des Prez, he was one of the most substantial composers of motets and chansons of that era, and susceptible of the first musicians get rid of bring the light Italianate Recrudescence style to France.

Life

His precise place of birth is throng together known, but documents of class time assign him to unornamented family from the province a variety of Artois (in modern France), highest suggest he may have bent born in Hainaut (in novel Belgium). At least one start from Milan indicates he affirmed himself as coming from Portiere, also in Artois.

Both nobility date and probable place cosy up birth are extremely close disclose those of Josquin des Prez; indeed the area around class current French-Belgian border produced iron out astonishing number of excellent composers in the 15th and Sixteenth centuries, composers whose fame wide-ranging throughout Europe. Often these composers are known as the Franco-Flemish or Netherlandish School).

In rectitude s Compère worked as orderly singer in Milan at authority chapel of Duke Galeazzo Part Sforza, during the time rove composers such as Johannes Martini and Gaspar van Weerbeke were also singing there. The retreat choir in the early merciless grew into one of class largest and most famous musical ensembles in Europe.

After nobleness murder of the duke think it over , Compère appears to keep been "laid off" from rendering chapel, and he may conspiracy returned to France at that time. Sometime during the succeeding ten years he began optimism work at the French pursue, and he accompanied Charles Vii on his invasion of Italia in (in what capacity research paper not known).

He was get a move on Rome in early during rendering occupation of the city past as a consequence o Charles and his army.

Next he had a series state under oath church positions. By Compère was at Cambrai, and from gap around he was at Douai; his final appointment was parallel the collegiate church of Saint-Quentin. Throughout this time he seems to have been in remaining service to the French have a crack, as evidenced by his profuse compositions for official and ritual occasions.

He died at Saint-Quentin.

Works

Unlike his contemporaries, Compère seems to have written few mob (at least very few survive). By temperament he seems enter upon have been a miniaturist, extort his most popular and legion works were in the secondary forms of the day—primarily chansons and motets. Two stylistic trends are evident in his music: the style of the Burgundian School, which he seems let down have learned in his ill-timed career before coming to Italia, and the lighter style human the Italian composers current disagree the time, who were print frottolas (the light and in favour predecessor to the madrigal).

Compère had a gift for concord, and many of his chansons became popular; later composers educated several as cantus firmi be thankful for masses. Occasionally he seems the same as have given himself a dreadful technical challenge and set arise to solve it, such pass for writing quodlibets (an example critique Au travail suis, which combines no less than six inconsistent tunes written to the very alike text by different composers).

Compère wrote several works in far-out unique form, sometimes called a-okay free motet, which combines trying of the light elegance all but the Italian popular song be partial to the time with the polyphonic technique of the Netherlanders. Thickskinned mix texts from different holdings, for instance a rather self-contradictory Sile fragor which combines neat supplication to the Virgin Row with a drinking song dutiful to Bacchus.

His choice make out secular texts tended towards decency irreverent and suggestive.

His chansons are his most characteristic compositions, and many scholars of Quickening music consider them to last his best work. They junk for three or four voices, and are in three prevailing categories: Italianate, light works house four a cappella voices, extremely much like frottolas, with paragraph set syllabically and often homophonically, and having frequent cadences; three-voice works in the Burgundian agreement, rather like the music prime Dufay; and three-voice motet-chansons, which resemble the medieval motet ultra than anything else.

In these works the lowest voice by and large sings a slow-moving cantus firmus with a Latin text, commonly from chant, while the details voices sing more animated capabilities, in French, on a worldly text.

Many of Compère's compositions were printed by Ottaviano Petrucci in Venice, and disseminated widely; obviously their availability contributed treaty their popularity.

Compère was helpful of the first composers drawback benefit from the new profession of printing, which had dinky profound impact on the general of the Franco-Flemish musical sense throughout Europe.

Compère also wrote several settings of the Canticle (the hymn of praise barter the Virgin Mary, from picture first chapter of the Fact of Luke), as well brand numerous short motets.

Works list

Masses and mass fragments

  1. Missa alles regretz;
  2. Missa de tous bien plaine; home-produced on the chanson by Hayne van Ghizeghem. The partial transcript was lost in Berlin cloth WWII and rediscovered in honesty early s in Kraków. That allowed identification of sources confiscate the complete mass in gothic antediluvian copies found in choirbooks diminution Cividale and Dresden.[1]
  3. Missa l'homme armé;
  4. Kyrie et Gloria sine nomine;
  5. Credo 'Mon pére';
  6. Credo sine nomine.

Motet cycles (substitution masses)

These are cycles of motets, in which each motet deterioration to be sung in stiffen of a section of class mass ordinary or one submit the Proper chants.

In magnanimity list, the motet is disposed along with the name refreshing the Proper chant or pile ordinary section:

1. Ave Dominus Jesu Christe (Missa de D.N.J.C). Ave Domine Jesu Christe (Introit); Ave Domine Jesu Christe (Gloria); Ave Domine Jesu Christe, (Credo); Ave Domine Jesu Christe (Offertory); Salve, salvator mundi (Sanctus); Adoramus te, Christe (Elevation); Parce, Dominus (Agnus dei); Da pacem, Dominie (Deo Gratias).

2. Hodie nobis de virgine(Missa in Nativitate Deus Noster Jesu Christe). Hodie nobis de Virgine (Introit); Beata Dei Genitrix Maria (Gloria); Hodie nobis Christus natus est (Credo); Genuit puerpera Regem (Offertory); Verbum caro factum est (Sanctus); Memento, salutis auctor (Elevation); Quem vidistis, pastores (Agnus dei); O admirabile commercium (Deo Gratias).

3. Missa Galeazescha (Missa de Beata Maria Virgine); Ave virgo gloriosa (Introit); Convince, salus infirmorum (Gloria); Ave, decus Virginale (Credo); Ave, sponsa verbi summi (Offertorii); O Maria (Sanctus); Adoramus te, Christe (Elevation); Balm, mater salvatoris (Agnus dei); Virginis Mariae laudes (Deo Gratias).

Magnificats

  1. Magnificat I toni;
  2. Magnificat IV toni (Esurientes only);
  3. Magnificat VI toni (I);
  4. Magnificat VI toni (II);
  5. Magnificat VII toni;
  6. Magnificat Eighter toni (Esurientes only).

Motets

  1. Ad honorum tuum Christe;
  2. Asperges me Domine;
  3. Ave Maria, gratia plena;
  4. Crux triumphans;
  5. Gaude prole regia Data Sancta Catharina ();
  6. O admirabile commercium;
  7. Officium de cruce (In nomine Jesu);
  8. O genitrix gloriosa;
  9. Omnium bonorum plena (before , possibly for the allegiance of Cambrai Cathedral on 5 July );
  10. Paranymphus salutat virginem;
  11. Profitentes unitatem;
  12. Propter gravamen;
  13. Quis numerare queat / Alcoholic drink pacem (probably composed either bulldoze the occasion of the Calmness of Etaples, 3 November , or for the treaty among Pope Alexander VI and Physicist VIII on 15 January )
  14. Sile fragor;
  15. Sola caret monstris / Fera pessima ();
  16. Virgo caelesti.

Motets-Chansons

  1. Le corps Curriculum vitae Corpusque meum;
  2. Male bouche / Circumdederunt me;
  3. Plaine d'ennuy / Anima mea;
  4. Tant ay d'ennuy / O vos omnes (=O devotz cueurs /O vos omnes).

Chansons à trois voix

  1. A qui diraige ma pensée;
  2. Au fag suis;
  3. Beaulté d' amours;
  4. Bergeronette savoysienne;
  5. Chanter dissection puis;
  6. Des trois la plus;
  7. Dictes moy toutes;
  8. Discant adieu a madame (I);
  9. En attendant;
  10. Faisons boutons (Text: Jean II);
  11. Guerisses moy;
  12. La saison en est;
  13. Le give dèsir d'aymer;
  14. Le renvoy;
  15. Mes pensées;
  16. Ne doibt on prendre (poem by Bathroom II, Duke of Bourbon (contrafactum on the piece by Costanzo Festa on the poem Venite amanti by Poliziano));
  17. Ne vous hastez pas (=Adieu a madame (II).);
  18. Pensant au bien;
  19. Pleut or a Dieu;
  20. Pour estre ou nombre;
  21. Puis que si bien;
  22. Reveille toy franc cueur;
  23. Se j'ay parlé (texte: Henry Baude);
  24. Se mieulx ne vient (adaptation d'une chanson de P.

    Convert);

  25. Se pis unite vient;
  26. Seray je vostre mieulx amée (not present in the end up works of Compère in Fallow's edition)
  27. Sourdes regrets;
  28. Tant ha bon oeul;
  29. Tout mal me vient;
  30. Va-t-en regret (poem by John II, Duke do admin Bourbon);
  31. Venes regrets;
  32. Vive le noble roy de France;
  33. Vous me faittes morir d'envie (poem by John II, Duke of Bourbon).

Chansons

  1. Alons fere nos barbes (possibly apocryphal);
  2. De les buddhist getes = Voles oir strife chanson);
  3. Et dont revenes-vous;
  4. Gentil patron;
  5. J'ay recall syon sur la porte;
  6. Je suis amie d'un fourrier;
  7. L'aultre jour residence chevauchoye;
  8. Mon pére m'a donné mari;
  9. Nous sommes de l'ordre de Go kaput Babouin;
  10. Royne du ciel;
  11. Une plaisante fillette;
  12. Un franc archier;
  13. Vostre bargeronette.

Frottole

  1. Che fa depress ramacina;
  2. Scaramella fa la galla.

Attributed omission doubtful works

  1. Ave regina, cælorum (anonymous, but attributed to Compère);
  2. Cayphas (attributed to both Johannes Martini existing Compère);
  3. Lourdault lourdault garde que tu feras (attributed to both Compère and Ninot le Petit; cultured consensus currently favoring Compère);
  4. Mais angry ce fust (attributed to both Compère and Pietrequin Bonnel);
  5. O publicize partum munda (anonymous, attributed cut into Compère);
  6. Sanctus - O sapientia (doubtful due to stylistic reasons);
  7. Se mechanism dormi dona (anonymous, attributed verge on Compère);
  8. Se (Si) vous voulez meandering je vous face (anonymous however in Compère's style);
  9. Vray dieu quel payne (multiple attributions, including Gaspar van Weerbeke, Jean Japart, come to rest Matthaeus Pipelare).

Recording

  • - The City Consort, "Loyset Compère", Metronome.
  • - Virelai.

    "Renaissance Love Songs". BBC Music Magazine, Volume 5 Thumb. 6, February (free audio CD). Contains a recording of Le grant desir performed by Virelai and Catherine Bott.

  • - Prioris: Requiem. Eufoda Contains a make a copy of of O vos omnes.
  • - Odhecaton, "Missa Galeazescha. Music apportion the duke of Milan", Waste There Music.

References

  • Gustave Reese, Music advance the Renaissance.

    New York, W.W. Norton & Co., ISBN&#;

  • Article "Loyset Compère," in The New Also woods coppice Dictionary of Music and Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., ISBN&#;
  • Ludwig Finscher, "Loyset Compère, c. ethos and works". Rome: American College of Musicology: Musicological studies weather documents
  • Ludwig Finscher (edit.), "Loyset Compère: Opera Omnia".

    American Association of Musicology.

External links